Wade Kernot - Bass Soloist in Mozart's Requiem

How do you prepare your voice for Mozart’s Requiem?

Not a lot of preparation from a vocal point of view. I have been singing Mozart Sacred and Operatic works for over 20 years. Mozart wrote perfectly for the voice. If you are the right voice type for the role, it fits like a glove. At this stage I can rely on muscle memory and experience.

What is your favourite part to perform and why?

Obviously, my little arietta "Tuba mirum", although I do feel bad singing about the Tuba while the Trombone does all the work..........

How do you express the emotional intensity of the Requiem in your solos?

I think the soloists voices are used for different emotions. The Soprano used for her vulnerable sound, the Mezzo for her comfort, Tenor for excitement. The Bass is usually used for triumphant or authoritative sections. Understanding your job in the context of the piece, focussing on the text and expressing it in the most honest way possible.

What are the key vocal challenges for the bass in this piece?

I think the biggest vocal challenge for a piece like this is in the short rehearsal process. There is a swift adjustment to blend vocally with the other soloists, the orchestra, the choir and most importantly, the acoustic in the venue. Dynamics, volume, tempo, colours equal endless adjustments. These things can't be planned for, a singer must adjust this on the fly in rehearsal and sometimes even during the performance.

How do you ensure a cohesive performance with the other soloists and the choir?

We all turn up with our instruments, well prepared, with best intentions and ready to work. The only way to collaborate effectively is to listen and respond. Everyone wants this performance to be the best it can be, that willingness is what brings it all together.

What unique qualities do you bring to the bass role in the 'Requiem'?

Hopefully, a warm, strong colour with some emotional sensitivity . Quite often the lower parts are the foundation of the sound that supports the higher voices. If I'm rock solid, it makes life easier for them.

How does performing with the Dunedin Symphony Orchestra enhance your experience?

I think this is the first time I'll be working with DSO. It's always exciting to work with a new bunch of people. I'm very much looking forward to it.

Can you share a memorable moment from rehearsing or performing this work?

Well, the only hiccup I've had so far was getting my Mozart pieces mixed up. I've done a couple of the Masses in C, including the Coronation Mass, this Requiem and few other bits an pieces. I was a bit confused which was which. I was very happy to realise that this is the one with the cool "Lacrimosa"!